Dan Jones is a multi award-winning composer and sound designer working in film, television and theatre. Recent credits include Louis Theroux’s documentary feature, My Scientology Movie, Menno Meyjes’ feature, De Reünie, and Carnival’s The Lost Honour of Christopher Jefferies and Ecosse Films’ The Great Fire (both for ITV). Other notable film credits include Shadow of the Vampire, starring John Malkovich and Willem Dafoe, which received two Oscar nominations (Dan himself being long-listed by Variety as an Oscar contender for his score); The Tonto Woman, also nominated for an Oscar in the short films category; and Max, starring John Cusack and Noah Taylor, for which he won his first Ivor Novello award. For Channel 4/Carnival’s Any Human Heart, a dramatisation of William Boyd’s novel, Dan won BAFTA and Ivor Novello awards as well as gaining double Emmy nominations. In the realm of the theatre, in 2011 Dan received the Special Jury Prize for Excellence in Sound Design, at the Prague Quadrennial awards for his work on the acclaimed production Kursk.
Dan’s work is notable for its range as much as its quality. The luxuriant romanticism and gorgeous melodies of his scores for Any Human Heart, Max and A Matador’s Mistress (starring Penelope Cruz and Adrien Brody) contrast with the ambient minimalism used in Criminal Justice and Dead Set (E4’s high-profile horror drama based on Big Brother). He is equally at home writing for the orchestra, as in his epic score for Sir David Attenborough’s 10-part The Life of Mammals, and for electronics - often in a highly experimental way. These two skills are brought together in his score for The Spectre of Hope, a documentary film about the photographer Sebastiao Salgado.
News & Reviews
A new series of the BBC’s hugely successful The Hollow Crown starts on 7th May on BBC2, with music by multi award-winning Dan Jones Read more
Dan Jones's original score for Liam Scarlett's full-evening ballet, 'Hansel and Gretel', has been praised widely following its recent premiere run at The Royal Ballet. Read more