(1915 - 1982)
Humphrey Searle's music is coloured, and limited, by his creative alignment with the 12-note style of Schoenberg. His was a conscious and deliberate choice. It is only partly true to say that his work is derivative from his Viennese models; but it is more, or less successful in performance in proportion to the degree to which he has assimilated the underlying artistic purposes which motivated Schoenberg, Webern or (later) Boulez.
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Remembering one of the pioneers of twelve-tone music in Britain Read more