Laura has written extensively for film and television, including scores for Paul Andrew Williams critically acclaimed features London to Brighton, The Cottage, Song For Marion starring Vanessa Redgrave and Terence Stamp, and The Eichmann Show starring Martin Freeman and Anthony La Paglia. She has also scored the feature film The Firm for Vertigo Films directed by Nick Love, Broken Lines by Sallie Aprahamian and The Man Inside directed by Dan Turner. Laura co-wrote the music to the 4 part BBC Drama series Prisoners Wives (series 2). She has also written music for ITV (including documentary series Marking Time and Forgotten Pilots), Fox Searchlight, Carlton TV (The Real Sir Francis Drake), HTV (The Cotswold Canals), Quintessence Films and the BBC.
Laura has been writing music for the British Film Institute since 1998 for re-releases of early silent movies. These include the best-selling Silent Shakespeare (seven short films) which she has toured round cinemas performing live with the films at venues including the Globe and the Barbican, London and Madeira, Belfast and Sao Paulo film festivals. Other BFI films Laura has scored are Twilight of a Woman’s Soul on the DVD Mad Love (a collection of films by Evgenii Bauer), C.O.D. by Desmond Dickenson and Tusalava by Len Lye on the video British Avant Garde vol.2.
The Imperial War Museum commissioned Laura to write an orchestral score for the 1916 film The Battle of the Somme
, which remains one of the most successful British films ever made. The score, which premiered at the Queen Elizabeth Hall, was recorded and performed by the Philharmonia Orchestra and has recently been released on CD and DVD to worldwide critical acclaim. Laura has recently recorded a new score for the digitally restored 1917 film The Battle of the Ancre
which premiered at last year's London Film Festival and is due for DVD release in 2016.
Laura is the course tutor for Music in Film at the London Film Academy and has taken many masterclasses including at Madiera Film Festival, Edinburgh Film Festival and has appeared as a guest speaker at the International Conference of Philosophy and Literature, The Bird’s Eye View Film Festival, The Skillset Screen Academy in Wales, The Imperial War Museum, University of Strathclyde, Liverpool Hope University and Poredenone Film Festival, Italy.
Laura has been commissioned to write numerous chamber and orchestral works including Under the Rainbow; a seven movement orchestral/choral piece involving the use of soloists from around the world featuring Chinese er-hu, Indian sitar, African drums, Japanese koto, saxophone, flute and children’s choir. Other commissions include Jailhouse Graffiti, premiered by Ealing Symphony Orchestra at St. John Smith Square, Golden Jubilee (a special commission for the Queen’s Jubilee), A Poor Torn Heart for King’s Cross Church Festival and The River, performed at the Queen Elizabeth Hall by the Solaris String Quartet. She has also written jazz orchestra works performed at the London Jazz Festival as well as music for dance and music theatre. She has written pieces for the LCM Percussion and Jazz piano syllabus published by Stainer and Bell and works for Boosey and Hawkes writing music for their production music catalogue, Imagem Music.
Other works include music for animation performed live with film by the BBC Concert Orchestra, a commission for a live film score by the London Musici Orchestra and many chamber and orchestral works. Laura has recently set up her own ensemble who performed at last year's Green Man Festival along with her arrangements of Vernon Elliots' music for childrens programmes including The Clangers. Her music has been performed at the Barbican, the Royal Festival Hall and the Queen Elizabeth Hall, London, and with her own ensemble has performed her music in Sao Paulo and across the UK.
Most recently Laura has completed Voices of Remembrance, a commission from Boosey and Hawkes for orchestra and choir to mark the centenary of the First World War, featuring war poems read by Vanessa Redgrave and Ralph Fiennes and she is currently touring her new score for the BFI Silent film Jane Shore, the first British Epic film, made at Ealing Studios.