(1976 - )
California-born, British-educated Christopher Tin is a two-time Grammy-winning composer of concert and media music. Time Magazine calls his music 'rousing, anthemic' while The Guardian calls it 'joyful' and 'an intelligent meeting of melody and theme'. His output is strikingly diverse: ranging from lush symphonic works, to world-music infused choral anthems, to electro-acoustic hybrid film and video game scores. He is also an in-demand collaborator, working with artists across a wide-range of musical genres: Lang Lang, Alan Menken, BT, Ne-Yo, and Trevor Horn, to name a few.
His music has been performed and premiered in many of the world's most prestigious venues: Carnegie Hall, the Lincoln Center, the Kennedy Center, Royal Festival Hall, the Hollywood Bowl, and the United Nations General Assembly Hall. He has also been performed by ensembles diverse as the Philharmonia Orchestra, Metropole Orchestra, and US Navy Band, and has also conducted concerts of his own music with the Royal Philharmonic Orchestra and in July 2017, the Welsh National Opera Orchestra.
His song 'Baba Yetu', a Swahili setting of The Lord's Prayer, is a modern choral standard, fusing together infectious melody and gospel rhythms with complex modulations and soaring orchestration. It was the winner of the 2011 Grammy Award for Best Instrumental Arrangement Accompanying Vocals, and is one of the all-time best selling choral octavos for Alfred Publishing, as well as being one of the most frequently performed modern choral pieces. Originally written as the theme song for the video game 'Civilization IV', it cemented its place in history when the Guinness Book of World Records recognized it as the first piece of music written for a video game ever to win a Grammy.
Tin's self-released albums have also achieved considerable acclaim. His debut album, the multi-lingual song cycle Calling All Dawns, won him a second Grammy in 2011 for Best Classical Crossover Album, and his follow-up release The Drop That Contained the Sea debuted at #1 on Billboard's classical charts, and premiered to a sold out audience at Carnegie Hall's Stern Auditorium.
His commercial work includes scores for the romantic comedy Suddenly Seventeen, acclaimed South African drama Tess, animated horror films Dante's Inferno and Dead Space: Aftermath, as well as additional music for studio films X2: X-Men United, Sausage Party, and Hoodwinked Too: Hood vs Evil. His game work includes his critically acclaimed music for Civilization IV and Civilization VI, Offworld Trading Company and Karateka. He also co-created the startup sound for the original Microsoft Surface computing platform.
Born to immigrant parents from Hong Kong, Tin grew up in northern California, firmly grounded in classical music, but heavily influenced by jazz, musical theatre, and the underground rave scene of '90s San Francisco. He did his undergraduate work at Stanford and Oxford, graduating with honors with a BA in Music and English, and an MA in Interdisciplinary Studies in Humanities. He then received an MMus with Distinction from the Royal College of Music in London, where he graduated at the top of his class and won the Joseph Horovitz Composition Prize. He is the recipient of a Fulbright Scholarship, Sundance Institute Fellowship, and BMI Conducting Fellowship. He is also composer-in-residence with DCINY, and has received commissions by the US Embassy in the United Kingdom, Stratus Chamber Orchestra, Bangor Symphony Orchestra, Orchestra at St. Matthews, and ISCMS Festival.
He works out of his own custom-built studio at the 18th Street Arts Complex in Santa Monica, where he's resident composer. He's also a Governor of the LA Chapter of the Recording Academy, where he heads their advocacy efforts, and has spoken on musicians rights issues on Capital Hill and the World Intellectual Property Organization in Geneva.