Tom Coult
In the music of the young British composer Tom Coult, listeners encounter a highly distinctive new voice. Underpinning each of his fresh and precisely imagined works is a fascination with the fantastical quality of sound itself.
Works
| Title | Year | Description | Duration | Composer |
|---|---|---|---|---|
| Ryley's Ramble | 2024 | chamber ensemble of 4 players | 9 | Tom Coult |
| Hymns of Kassiana | 2023 | for mixed chorus SSAATTBB and solo violin | 8 | Tom Coult, Kassia |
| After Lassus | 2023 | soprano and orchestra | 15½ | Tom Coult |
| Saint Boy | 2023 | violin and orchestra arrangement by Tom Coult | 6½ | Tom Coult, Daniel Pioro |
| Prelude (after Monsieur de Sainte-Colombe) | 2022 | lower strings | 7 | Tom Coult |
| O Ecclesia | 2022 | arranged for violin and organ | 8 | Tom Coult, Hildegard von Bingen |
| Three Pieces that Disappear | 2022 | orchestra and fixed audio | 21 | Tom Coult |
| Two Nocturnes and a Maze | 2022 | horn trio | 21 | Tom Coult |
| O Ecclesia, O Euchari | 2023 | SSAATTBB chorus and solo violin | 16 | Tom Coult, Hildegard von Bingen |
| A Little Recessional | 2021 | solo bass viol | 2 | Tom Coult |
| Wholesome Counsels | 2021 | soprano and piano | 18 | Tom Coult |
| Sonata No.2 in D Minor | 2021 | arranged for solo violin and chamber orchestra by Tom Coult | 10 | Tom Coult, Giuseppe Tartini |
| Gymnopédies | 2021 | chamber orchestra | 9 | Tom Coult |
| La Follia | 2021 | arranged for chamber orchestra by Tom Coult | 12 | Tom Coult, Antonio Vivaldi |
| O Ecclesia | 2021 | solo violin and string orchestra | 8 | Tom Coult, Daniel Pioro, Hildegard von Bingen |
| The Agony in the Garden | 2021 | violin and chamber orchestra | 8½ | Tom Coult, Heinrich Biber, Daniel Pioro |
| Gymnopédies | 2021 | piano | 8 | Tom Coult |
| I Find Planets | 2020 | soprano, bass clarinet, harp and double bass | 6 | Tom Coult |
| Pleasure Garden | 2020, rev. 2023 | Concerto for violin and orchestra | c. 25 | Tom Coult |
| Études V & VI | 2020 | solo violin | 5 | Tom Coult |
| Inventions (for Heath Robinson) | 2019 | solo piano | 15 | Tom Coult |
| Violet | 2019 | opera for four singers and chamber ensemble of 13 players | 87 | Tom Coult |
| String Quartet | 2018 | string quartet | 12 | Tom Coult |
| Studies in Canonic Form | 2018 | Schumann arranged for chamber orchestra | 18 | Tom Coult, Robert Schumann |
| St John's Dance | 2017 | orchestra | 6 | Tom Coult |
| Two Games and a Nocturne | 2016 | chamber ensemble of 6 players | 11 | Tom Coult |
| Spirit of the Staircase | 2016 | ensemble of 15 players | 16 | Tom Coult |
| Sonnet Machine | 2015 | orchestra | 10 | Tom Coult |
| My Curves are not Mad | 2015 | string orchestra | 14 | Tom Coult |
| Beautiful Caged Thing | 2015 | soprano and chamber orchestra | 12 | Tom Coult |
| Sparking and Slipping | 2014 | violin, piano, harp and percussion | c.11½ | Tom Coult |
| Antic Rounds | 2014 | chamber ensemble of 17 players | c.13 | Tom Coult |
| Enmîmés sont les gougebosqueux | 2013 | chamber ensemble of 4 players | 7 | Tom Coult |
| Four Perpetual Motions | 2013 | chamber ensemble of 10 players | 13 | Tom Coult |
| Rainbow-Shooting Cloud Contraption | 2013 | chamber ensemble of 15 players | 5 | Tom Coult |
| Codex (Homage to Serafini) | 2013 | symphony orchestra | 12 | Tom Coult |
| Solvitrambulando | 2012 | chamber orchestra | 17 | Tom Coult |
| Limp | 2012 | violin and piano | 7 | Tom Coult |
| Enmîmés sont les gougebosqueux | 2012 | chamber ensemble of 5 players | 7 | Tom Coult |
| Piano Trio "The Chronophage" | 2011 | piano trio | 17 | Tom Coult |
| Études | 2010/2014 | violin solo | c.8 | Tom Coult |