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Composer Representation: Faber Music Media is proud to represent the film and television composers whose biographies are included on this website. We also administer the publishing catalogues of the distinguished film composers Carl Davis (The World at War, The French Lieutenant's Woman, Champions, Topsy-Turvey), Stephen Warbeck (Shakespeare in Love, Captain Corelli's Mandolin, Billy Elliott) and Adrian Johnston (Jude, Welcome to Sarajevo, The House of Mirth).
Music Production: In 2002 we acquired the Bristol-based music production company Old Man Jobson's Music to Picture, which specialises in providing high-quality music for advertising and television productions. Biographies of the composers signed to OMJ can be viewed on www.oldmanjobsons.com
Music for Licensing: Faber Music publishes a large catalogue of works by some of the best-known composers of the twentieth and twenty-first centuries. As well as classics by Malcolm Arnold, Benjamin Britten, Gustav Holst and Ralph Vaughan Williams we publish the works of an outstanding group of living classical composers, including Thomas Ades, Julian Anderson, George Benjamin, Oliver Knussen, Colin and David Matthews and Nicholas Maw. We publish leading Australian composers Peter Sculthorpe, Carl Vine and Matthew Hindson, and the American Michael Daugherty. Our popular repertoire includes Andrew Lloyd Webber's Cats (which we co-publish with The Really Useful Group) and Howard Blake's The Snowman.
Music Copyright Administration for composers and production companies: Through our specialist company Rights Worldwide Ltd and its international agencies we are able to supply a highly efficient and dedicated service of music right administration. We work to maximise our clients' income from the music copyrights they own, not just through efficient 'policing' and collection of royalties, but by looking for all possible avenues of secondary exploitation.
Music Supervision/Copyright Research: We are able to offer a one-stop service to the film industry. As well as managing music budgets and supervising the recording and delivery of commissioned scores, we can research the ownership of copyrights and recordings and negotiate their use on our clients' behalf.
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