Edward Greenfield, The Guardian, 14 June 1996
'...a graphic and compelling melodrama...the musical invention has all the fabulous fluency that one associates which Britten...an autonomous, atmospheric concert-drama.'
Paul Driver, The Sunday Times, 31 October 1993
'...a compelling work, a major addition to the concerto repertoire.'
Charles Parsons, American Record Guide, Jan/Feb 1997
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