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Title | Year | Description | Duration | Composer |
---|---|---|---|---|
Ryley's Ramble | 2024 | chamber ensemble of 4 players | 9 | Tom Coult |
Wreath | 2024 | string quintet | 15-30 | Thomas Adès |
Chanson à cordes | 2023 | viola and cello | 19 | Martin Suckling |
Sawtooth | 2023 | saxophone quartet | 10 | Carl Vine |
Songs of Nameless Ancestors | 2023 | string quartet | c15-16 | Derek Bermel |
Canopies of Liquid Light | 2023 | chamber ensemble of 16 players and fixed audio | 24 | Tansy Davies |
Taleas Oblicuas | 2023 | oboe and chamber ensemble of 14 players | 20 | Francisco Coll |
Lightsense III | 2023 | string trio and pre-recorded sounds | 5 | Lisa Illean |
String Quartet No.17 | 2023 | string quartet | 20 | David Matthews |
Dream Matter Foundations | 2023 | violin, viola da gamba and live electronics | 20 | Valgeir Sigurðsson, Daniel Pioro, Liam Byrne |
Let the Vibes Begin | 2022 | violin, cello and snare drum | 1 | Ayanna Witter-Johnson |
Freedom & Movement | 2022 | string quartet and electronic percussion | 4½ | Howard Goodall |
Deep River | 1905/arr.2022 | solo cello, harp and strings | 5 | Samuel Coleridge-Taylor, Simon Parkin |
Ocean Floor Suite | 2022 | percussion quartet, voice/cello and piano | 16 | Ayanna Witter-Johnson |
String Quartet | 2022 | string quartet | 15 | Francisco Coll |
Two Nocturnes and a Maze | 2022 | horn trio | 21 | Tom Coult |
Baltic Sea Fanfare | 2022 | brass and percussion | 3 | Anders Hillborg |
Imposter (after Mozart) | 1775/arr. 2022 | four violins | 10 | Matthew Hindson |
Növények | 2020–22 | Seven Hungarian Poems for mezzo-soprano and piano sextet | 17 | Thomas Adès |
Stone Codes | 2022 | solo percussion and chamber ensemble of 14 players | 18 | Tansy Davies |
will o wisp | 2022 | string ensemble | 19 | Oliver Leith |
Concord | 2022 | clarinet quintet | 16 | Carl Vine |
Prelude (after Monsieur de Sainte-Colombe) | 2022 | lower strings | 7 | Tom Coult |
glider | 2022 | bass clarinet and chamber ensemble of 7 players | 9 | Tansy Davies |