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| Title | Year | Description | Duration | Composer |
|---|---|---|---|---|
| Wreath | 2024 | string quintet | 15-30 | Thomas Adès |
| Chansons | 2024 | for ensemble of twelve strings | 5 | Lisa Illean, Gilles Binchois |
| Ryley's Ramble | 2024 | chamber ensemble of 4 players | 9 | Tom Coult |
| Taleas Oblicuas | 2023 | oboe and chamber ensemble of 14 players | 20 | Francisco Coll |
| String Quartet No.17 | 2023 | string quartet | 20 | David Matthews |
| Favola in Musica III | 2023 | flute, viola and harp | 8 | John Woolrich |
| Lightsense III | 2023 | string trio and pre-recorded sounds | 5 | Lisa Illean |
| Canopies of Liquid Light | 2023 | chamber ensemble of 16 players and fixed audio | 24 | Tansy Davies |
| Dream Matter Foundations | 2023 | violin, viola da gamba and live electronics | 20 | Valgeir Sigurðsson, Daniel Pioro, Liam Byrne |
| Chanson à cordes | 2023 | viola and cello | 19 | Martin Suckling |
| Sawtooth | 2023 | saxophone quartet | 10 | Carl Vine |
| Songs of Nameless Ancestors | 2023 | string quartet | c15-16 | Derek Bermel |
| Növények | 2020–22 | Seven Hungarian Poems for mezzo-soprano and piano sextet | 17 | Thomas Adès |
| Concord | 2022 | clarinet quintet | 16 | Carl Vine |
| glider | 2022 | bass clarinet and chamber ensemble of 7 players | 9 | Tansy Davies |
| String Quartet No.16 | 2022 | string quartet | 12 | David Matthews |
| Baltic Sea Fanfare | 2022 | brass and percussion | 3 | Anders Hillborg |
| Imposter (after Mozart) | 1775/arr. 2022 | four violins | 10 | Matthew Hindson |
| Ocean Floor Suite | 2022 | percussion quartet, voice/cello and piano | 16 | Ayanna Witter-Johnson |
| Skysong | 2022 | chamber orchestra | 22 | Anders Hillborg |
| Stone Codes | 2022 | solo percussion and chamber ensemble of 14 players | 18 | Tansy Davies |
| Lullaby | 2022 | mezzo-soprano and chamber ensemble | 4½ | Tansy Davies |
| Archangel | 2022 | solo soprano saxophone and chamber ensemble of 7 players | 6 | John Harle |
| Tidal Warning | 2022 | percussion quartet and piano | 5 | Ayanna Witter-Johnson |