Concerto for Cello (2005 version)


by Jonathan Harvey

cello and orchestra
Solo Instruments with Orchestra
3(II+III=picc).3(III=ca).3(III=bcl).3(III=cbsn) - 4331 - perc(2): 2 wdbl/ tgl/5 susp.cym/mark tree/t.bells/tam-t/guiro/4 c.bell/japanese temple bell/bongos/BD/gong - vib - glsp(=crot/tgl) - cel - elec keyboard - harp - strings
First Performance
7.12.90, Royal Festival Hall, London: Frances-Marie Uitti/BBC Symphony Orchestra/Lothar Zagrosek FP 2005 version: 23.10.05: deSingel, Antwerp, Belgium: Arne Deforce/Martyn Brabbins

Score, solo part, DX7IID disk and parts for hire

Programme Notes
If there is a ‘programme’ to this piece then it concerns man’s relation to bliss (ananda): presence, absence, pathways to and from it. Like much of the composer’s recent music it uses a chain of linked melodies for statement, transformation, polyphony and fragmentation. There is a ‘concertante’ group which consists of glockenspiel, crotales, electric keyboard, celesta, harp and vibraphone. This group, like a chariot of light, often takes the solo cello on a sort of celestial journey, lifting it as it were out of its dialectic with the main orchestra. In 2005 a new version was made which lightened the orchestration generally and added some material, such as extending a cadenza. This permits even more the role of the cello to be not the usual macho heroic one, rather a gentle, sensitive and receptive one, reflecting the response of bliss to what the cello-protagonist hears. It is dedicated to Frances-Marie Uitti. Jonathan Harvey

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