'Concerto in Azzurro for cello and orchestra derives from a holiday spent on the Island of Lundy, and a vision of blueness there. This is represented at the concerto’s conclusion in a magical evocation, as soloist and orchestra’s convergence on B flat, and the swish of a rainstick, open up a vision of an everlasting sea and sky suffused' The Independent (Paul Conway), 15 October 2002 Read more
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