‘… an amusing full ensemble work based on the rhythms and gestures of language tapes. The clarinet was, in effect, the voice on the tape, and the other instruments were the students – variously willing or difficult, competent or bumbling – who must repeat the phrases. Mr. Bermel spins this interaction into an increasingly chaotic fantasy that would have been perfectly at home on a program with Berio’s Sequenza III .' The New York Times (Allan Kozinn), 8 December 2003 Read more
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