‘… a lucid, ferociously taut construction in a single well-sectioned movement, centred upon a kind of chant. It is ‘terrific’ in the old-fashioned sense, but it also shows Matthews at the height of his craftsmanly powers. For all its deliberate stridency, there is no phrase in Quatrain without an exact point …’ Financial Times (David Murray), 20 September 1989 Read more
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