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| Title | Year | Description | Duration | Composer |
|---|---|---|---|---|
| Picture a day like this | 2021-23 | opera in seven scenes | 60 | George Benjamin |
| My Brilliant Career | 2023 | ballet in one act for orchestra | 46 | Matthew Hindson |
| Summer & Smoke | 2023 | ballet in one act | 60 | Michael Daugherty |
| The Summer's Tale | 2005/2012/2024 | musical in two acts | Howard Goodall | |
| Hound of the Baskervilles, The | 2022 | 8 actors and orchestra | 75 | Neil Brand |
| Imposter (after Mozart) | 1775/arr. 2022 | four violins | 10 | Matthew Hindson |
| Last Days | 2022 | an opera | 90 | Oliver Leith |
| Comedy of Errors, A | 2022 | ballet for orchestra | 90 | Matthew Hindson |
| Imminent | 2020 | ballet for orchestra | 25 | Paul Englishby |
| We Are in Time | 2020 | music-theatre work for actor, 2 singers (soprano & tenor), 12 strings and electronics | 90 | Valgeir Sigurðsson |
| Dante | 2019-2020 | ballet in 3 parts, for orchestra with pre-recorded voices and female choir | c.93 total (Inferno: c.45, Purgatorio: c.24, Paradiso: c.24) | Thomas Adès |
| Violet | 2019 | opera for four singers and chamber ensemble of 13 players | 87 | Tom Coult |
| Die andere Frau | 2019 | opera | 100 | Torsten Rasch |
| Chaplin, The Tramp | 2019 | ballet with Daniel de Andrade | c.110 | Carl Davis |
| Us | 2019 | ballet in one act | 30 | Keaton Henson |
| Paradiso | 2019-2020 | orchestra and female choir | 24 | Thomas Adès |
| Inferno | 2019 | orchestra | 45 | Thomas Adès |
| The Great Gatsby [Jorden Morris Version] | 2019 | ballet | 120 | Carl Davis |
| Purgatorio | 2019-2020 | orchestra and pre-recorded voices | 24 | Thomas Adès |
| Anna | 2019-2022 | an opera in two acts | 115 | David Matthews |
| Woman Undone | 2018 | music-theatre piece for 5 singers/instrumentalists | 60 | Valgeir Sigurðsson |
| Die Formel | 2017 | theatre work for solo voices, chorus, childrens' choir and ensemble | 60-70 | Torsten Rasch |
| Pride and Prejudice in Words and Music | 2017 | narrator, violin and piano | Carl Davis | |
| Road Memoir | 2017 | chamber opera in 12 episodes, for narrator, soprano and electronics | 50 | Martin Ward |