String Quartet No.3

(1994)

by Colin Matthews

Description
string quartet
Duration
35
Genres
String Quartet
Instrumentation
First Performance
14.6.94, Aldeburgh Festival, Snape Maltings: Brindisi String Quartet
Availability

Score 0-571-51763-3 and parts (fp) 0-571-55468-7 on sale

Programme Notes
Colin Matthews String Quartet no 3 1 Sostenuto 2 Pesante 3 Allegro assai 4 Vigoroso 5 Molto sostenuto When I composed by Second String Quartet in 1985 I intended to have two movements, of which the second was a slow movement of around 10 minutes’ duration. But I withdrew this version of the work, and replaced the slow movement with five relatively short movements. In respect of its form, my Third String Quartet is a kind of amalgam of both versions of its predecessor, so that the final movement might also be thought of as the slow movement that the earlier work should have had. My new quartet lasts nearly 35 minutes, which is over twice the length of the Second. The first movement is dark and intense, but ends with a hushed ‘chorale’. The second movement is an ostinato, with continuous machine-like motion. The third is a big scherzo, whirling and muted throughout; there are three ‘trios’, in which the principal role is taken successively by the first violin, second violin and viola, and each is shorter than the last – in the same way that the four sections of the scherzo are progressively elided. The fourth movement is a rather grotesque waltz, preceded and interrupted by a parody version of the first movement’s chorale. The chorale too pervades the finale, fragments of it reappearing at intervals throughout the slow, measured and spare textures, and eventually ending the whole work. This Third Quartet was written as a gift for my friends, the Brindisi String Quartet, as thanks for the many fine performances they have given of my Second. Colin Matthews

Licensing Information

News & Reviews

'String Quartet No 3' reviews

‘This large, five-movement structure moves from a reminiscence of Beethoven’s Les Adieux sonata through some spectacular fast music to a slow finale of Palestrina-ish concentration and is, I believe, a masterpiece.’ The Sunday Times (Paul Driver), 19 June 1994 Read more

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