'...you can forget any depiction of a “cow looking over a gate” (the famous slur on Vaughan Williams’s pastoral streak). Matthews’s cow jumps way across the planet. It mingles with Mahler’s alpine climes. The music is always on an exploratory journey, uncovering terror and beauty in a three-movement argument that keeps traditional symphonic procedures in the near distance – supporting but never stifling. Matthews has a lively ear for colour: I can still hear that ruminant contrabass clarine Read more
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