Thracian Echoes

(2002)

by Derek Bermel

Description
orchestra
Duration
20
Genres
Full Orchestra
Instrumentation
pic.2(pic).2.Eb.3.2(cbsn) - 4331- harp - pno - cel - timp - perc(2): str
Commission
Commissioned by Westchester Philharmonic
First Performance
23.11.02, Westchester, NY, USA: Westchester Philharmonic/Paul Dunkel
Availability

score and parts for hire

Perusal score available here

Programme Notes
In August 2002, I traveled to Plovdiv, Bulgaria, to study the Thracian folk style with clarinetist Nikola Iliev. Thracia is a region in Bulgaria which stretches over the Rodopi mountains and extends into Modern Greece. I spent several hours each day transcribing and memorizing the songs, Nikola’s nephews Emil and Misha assisting by translating from Bulgarian to French or English. After leaving Plovdiv, I spent several days in Sofia, where I visited Gyorgy Petkov, arranger and composer for the Angelite Women’s Choir. I spent several days looking over his arrangements and discussing counterpoint and harmonic progression in Bulgarian vocal music. Several months later, in Rome, I began to sketch "Thracian Echoes," which I hoped would somehow fuse the mournful with the manic aspects of the Bulgarian spirit, melding the tight, soulful harmonies of the choral songs with the infectious rhythmic energy of the instrumental music. The melodies appeared to contain echoes within the phrases themselves, as though a certain nostalgia was present even in their first iterations; this hypnotic quality served as a starting point for the piece. Throughout the work, the songs return in various manifestations: harmonic, contrapuntal, melodic, rhythmic, coloristic. I composed my own slower "choir" songs and rewrote phrases from several faster, instrumental songs -- Paydushko Xhoro (5/8), Mizhka Richenitza (7/8), Daychovo Xhoro (9/8), and Krivo Pazardzhishko Xhoro (11/16) -- placing them in different modes. The piece springs from the opening gesture, a glissed, ascending whole tone. Melodies are transformed into one another and reappear in various modal incarnations, often placed in counterpoint or rhythmic canon in two, three, four, and five voices.

Licensing Information

News & Reviews

'Thracian Echoes' reviews

‘A world premiere work destined to lead a long, illustrious life. [Bermel] has lived in these Bulgarian rhythms and melodies, woven them far into the complex texture of his composition, and as a result, created a powerful work of art that speaks a language all its own and is built to last.’ The Journal News, Westchester County (John Aiello) Read more

Site Search

Newsletter sign-up

Submit your email address here to receive the latest news and special offers from Faber Music

Score Availability

It is possible in certain circumstances to purchase some scores direct from the Hire Library, even if advertised as available only for hire.

Please Contact the Hire Library:
Tel: +44 (0)1279 828907 / 8
Email: hire@fabermusic.com

Take a look

Martin Suckling

“a young composer whose star is resolutely in the ascendant.” The Times (Sarah Unwin...

read more