Three Housman Songs

(2015)

by David Matthews

Description
soprano and string orchestra
Duration
11
Genres
Soprano, String Orchestra
Text
'A Shropshire Lad' A.E. Housman
Singer(s)
soprano
Commission
'Loveliest of Trees' and 'Far in a Western Brookland' were commissioned by the Housman Society for the centenary of the publication of 'A Shropshire Lad' by A.E.Housman with funds provided by the following: In memory of John Ferguson Stephen Housman Barbara Kalman West Midlands Arts
First Performance
30.8.15, Presteigne Festival, St Andrew's Church, Presteigne, Wales, United Kingdom: Gillian Keith/Presteigne Festival Orchestra/George Vass
Availability

Score and parts for hire

Programme Notes
David Matthews: Three Housman Songs, op.69a 1. Loveliest of trees 2. Far in a western brookland 3. In valleys green and still This short song cycle began in 1996 when the Housman Society asked a number of composers to set poems from A Shropshire Lad for voice and string quartet to celebrate the centenary of its publication. I chose what is probably the best known of all Housman’s poems, ‘Loveliest of trees’: I wanted to give myself the challenge of coming up with something quite different from the several other settings of this poem. Because it talks of cherry blossom, I thought of the Japanese obsession with the cherry, and so tried to create a Japanese atmosphere, particularly in the string parts. After the song’s performance in Ludlow, by Mary Wiegold with the Composers Ensemble, I decided it needed a companion, and so set another poem from A Shropshire Lad, ‘Far in a western brookland’, which like ‘Loveliest of trees’ is full of intense feelings of loss amidst the beauty of nature. This second song has yet to be performed in its original version. In 2010 I added a third song as a present for Amelia Freedman’s 70th birthday, which was sung at the Wigmore Hall by Felicity Lott with the Nash Ensemble. I chose ‘In valleys green and still’, from Last Poems, in which a pair of lovers hear a distant patrol of soldiers marching to the music of fife and drum. I imitated these sounds with a solo viola playing on harmonics to a col legno (tapping with the wood of the bow) accompaniment. In 2014 George Vass asked me if I could arrange the songs for string orchestra, to be performed at the 2015 Presteigne Festival by Gillian Keith– the first complete performance of the cycle. DM

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