Instrumentation

3(III=picc).1.ca.2.cbcl.2.cbsn - 4200 - perc(4): vib/BD/4 SD/glsp/2 ant.cym/t.bells/tgl/xyl/3 susp.cym/2 tam-t/whip - cel - harp - strings (min 12.10.8.6.6)

Availability

Score 0-571-51410-3 on sale, parts for hire

Programme Notes

The Whitman Settings, commissioned by the Amphion Foundation and written for Lucy Shelton, were originally composed for voice and piano during 1991. These characteristically powerful but unusually short poems of Walt Whitman attracted me because they deal with grand natural phenomena on small canvases. The idea of making a parallel version with orchestra came later, while puzzling over how some unusually wide chord-spacings could be achieved without a piano. As it turned out, the original vocal line is supported by the most intricate and kaleidoscopic orchestral score I’ve ever done (although the actual notes remain faithful to the original), and I like to think of the result as a concise four-movement vocal symphony. All four poems muse on things in space or the sky, and all four songs grow out of the idea heard in the very first bar.

© Oliver Knussen

Whitman Settings (orchestral)

Tanglewood Music Center (Lenox, MA, USA)

Tanglewood Festival Orchestra/Thomas Adès

Whitman Settings (orchestral)

National premieres of: Whitman Settings (orchestral), Songs and A Sea Interlude, The Wild Rumpus

Konserthuset (Stockholm, Sweden)

Claire Booth/Norrköpings Symfoniorkester/Ryan Wigglesworth

Whitman Settings (orchestral)

Symphony Hall (Boston, MA, USA)

Boston Symphony Orchestra/Claire Booth/Oliver Knussen/Pinchas Zukerman

Whitman Settings (orchestral)

Symphony Hall (Boston, MA, USA)

Boston Symphony Orchestra/Claire Booth/Oliver Knussen

Whitman Settings (orchestral)

Symphony Hall (Birmingham, United Kingdom)

Claire Booth/City of Birmingham Symphony Orchestra/Oliver Knussen