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| Title | Year | Description | Duration | Composer |
|---|---|---|---|---|
| Black Shuck Lament | 2025 | tenor and strings | 10 | Tom Coult |
| The Ice Core Sample Says | 2024 | mezzo-soprano and piano | 10½ | Tansy Davies |
| Loving Kindness | 2020/arr. 2023 | soprano solo, solo cello and organ | 4 | Howard Goodall |
| O | 2022 | soprano and piano trio | 3 | Colin Matthews |
| O | 2022 | version for soprano and piano | 3 | Colin Matthews |
| Wholesome Counsels | 2021 | soprano and piano | 18 | Tom Coult |
| yhyhyhyhyh | 2021 | voice and cello | 5 | Oliver Leith |
| Les nuits d’été | 2021 | arranged for baritone and string sextet by David Matthews | 27 | David Matthews, Hector Berlioz |
| The Hope | 2021 | mixed voice choir, piano, 2 cellos and optional melody instruments | 7 | Ayanna Witter-Johnson |
| Brown Sounds | 2021 | solo voice and piano | 4½ | Ayanna Witter-Johnson |
| Loving Kindness | 2020 | tenor solo, solo cello and chamber orchestra | 4 | Howard Goodall |
| Draw the Line | 2020/arr. 2022 | soprano and chamber ensemble of 3 players | 7 | Ayanna Witter-Johnson |
| Loving Kindness | 2020 | solo soprano and organ | 4 | Howard Goodall |
| Gyökér (Root) | 2020 | mezzo-soprano and four percussionists | 4 | Thomas Adès |
| Draw the Line | 2020 | soprano and double bass | 7 | Ayanna Witter-Johnson |
| Rise Up | 2019 | voice and piano | 4½ | Ayanna Witter-Johnson |
| Two Arias from 'Anna' | 2019-2022 | soprano and piano | 5 | David Matthews |
| We Two Boys | 2019 | baritone and piano | 13 | Derek Bermel |
| The Tuning | 2019 | mezzo-soprano and piano | 20 | Martin Suckling |
| Songs from a Silent Land | 2019 | soprano and wind ensemble | 18 | Michael Daugherty |
| Uh huh, Yeah | 2019 | voice, clarinet, harp, double bass | 6 | Oliver Leith |
| Lullaby | 2019 | mezzo-soprano, tenor and piano | 4½ | Tansy Davies |
| We Two Boys | 2019 | baritone voice, clarinet and piano | 13 | Derek Bermel |
| Still/Sill | 2018 | voice and tape | 18 | Cassandra Miller |