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| Title | Year | Description | Duration | Composer |
|---|---|---|---|---|
| Loving Kindness | 2020 | tenor solo, solo cello and chamber orchestra | 4 | Howard Goodall |
| Songs from a Silent Land | 2019 | soprano and wind ensemble | Michael Daugherty | |
| The Tuning | 2019 | mezzo-soprano and piano | 20 | Martin Suckling |
| Lullaby | 2019 | mezzo-soprano, tenor and piano | c.4 1/2 | Tansy Davies |
| White Flame | 2018 | mezzo-soprano and piano quintet | c.20 | David Matthews |
| Le Lac | 2017 | soprano and chamber orchestra | c.18 | David Matthews |
| An Evening Hymn | 2017 | voice and piano | 5 | Thomas Adès, Henry Purcell |
| Road Memoir | 2017 | chamber opera in 12 episodes, for narrator, soprano and electronics | 50 | Martin Ward |
| Spleen: A Land of Rain | 2017 | medium voice and ensemble of 17 players | 25 | Colin Matthews |
| Saviour of the Heathens (Nun komm, der Heiden Heiland) | 2017 | solo tenor, cello and chamber organ | 6 | Matthew Hindson |
| It Rains | 2017 | baritone and ensemble of 11 players | 5 | Colin Matthews |
| By Beauteous Softness | 2017 | voice and piano | 4 | Thomas Adès, Henry Purcell |
| Four Songs | 2012/2017 | Purcell, realised by Thomas Adès for voice and piano | 12 | Thomas Adès, Henry Purcell |
| It came upon the midnight clear | 2016 | tenor and piano | 4 | Howard Goodall |
| Lieder eines fahrenden Gesellen | 2016 | transcription for tenor and chamber ensemble of 12 players | 17 | Colin Matthews, Gustav Mahler |
| Ceci n'est pas un Concerto | 2016 | soprano and ensemble of 15 players | c.18 | Francisco Coll |
| Wonders | 2016 | soprano, baritone, 2 choirs and orchestra | c.15 | Carl Vine |
| Voices of the Air | 2016 | soprano, chorus and chamber orchestra | 18 | Colin Matthews |
| Primary Conduit | 2015 | solo soprano, solo violin, piano and small orchestra with electronics | 2 | Jessica Curry |
| Five Songs | 2015 | Sibelius, orchestrated by Colin Matthews | 12 | Colin Matthews, Jean Sibelius |
| A Welsh Night | 2015 | mezzo-soprano and piano | 14 | Torsten Rasch |
| Dream of the Song | 2014-15 | countertenor, female chorus and orchestra | 20 | George Benjamin |
| Ya eres mía (Now You Are Mine) (mixed duet) | 2015 | soprano (or alto) and tenor (or baritone) voices and piano | 6 | Morten Lauridsen |
| Beautiful Morning, A | 2015 | solo soprano, solo violin and small orchestra | 2½ | Jessica Curry |