‘I was particularly interested to hear RPM by Matthew Hindson, Sydney’s self appointed chronicler of recent popular musical styles in a symphonic setting … What I think Hindson does rather well is to adopt a tone of naive homage, without irony, slickness, or sarcasm.  In a post-modern age of quotation, double-coding and sarcasm, that is rather refreshing and also rather original.’
The Sydney Morning Herald, 16 January 1998