Instrumentation

tpt - harp - strings

Availability

Full score and parts for hire, vocal score for hire, or on special sale from the Hire Library

Programme Notes

The Gravity of Kindness is a special commission for me, its composer. Special because it came into being as a result of a relationship between me and The Addison Singers, particularly through their conductor David Wordsworth who has been a long-time champion of my work, but also between the choir and the remarkable former member whose memory the piece honours, Cathy Bereznicki. I had wanted for a while to write a work that addressed the Christmas story from a reflective viewpoint, and was delighted that David agreed to my proposal for a work shaped around a poem, Kindness, by American-Palestinian poet Naomi Shihab Nye, a poem I'd long carried around in my pocket on a piece of crumpled paper. One day, I thought, I'll set this to music, when the right opportunity arises. I've written quite a few carols over the years and have always felt that the nativity story - however literally one addresses its various anecdotal/historical/mythical/blurred-by-time details - carries a very powerful, universal message: a poor mother and her child, in difficult, fragile circumstances, seeking refuge, not reduced to a footnote of the tale but elevated to the very point and purpose of it. The smallest, least important people being centre-stage. Power transferred from a mighty empire to a child. We have been reminded in recent years of the potential power of unlikely yet immensely courageous children, from Malala Yousafzai to Greta Thunberg so the subtext of the Nativity is clear to us whether or not we believe the child in question was some kind of manifestation of God. Ms Nye's poem is beautiful and full of truth as to the nature and quality of human kindness, so I framed it with two mother-child lullabies, one from Mexico, Arrorró mi niño, and perhaps the best-known of all English late medieval carols, The Coventry Carol. That the latter contains within it, alongside a mother's comforting lullay-ing, the foretelling of the child's later responsibilities, torments and death, reminds us that it was once as much a Passiontide carol as a Christmas carol. Millions of mothers, right now, many of them displaced or stateless, are fearful of their children's safety and future, and respond to the fear with an unquenchable, bottomless love, wrapping their babies in a cocoon of comfort and security as protection against the perils ahead, a process Naomi Shihab Nye describes as 'the tender gravity of kindness'. It remains to be seen whether the music I have written to express these wonderful words successfully achieves its goal but my intention was to evoke in sound and voices the immense power and truth of that thought.

Howard Goodall September 2019

Gravity of Kindness, The

Come and Sing Day for Singing for Syrians

Cheap Street Church (Sherborne, Dorset, United Kingdom)

The Addison Singers, David Wordsworth

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Gravity of Kindness, The

Come and Sing workshop with the composer

St Sepulchre-without-Newgate (London, United Kingdom)

The Addison Singers, David Wordsworth, Howard Goodall

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Gravity of Kindness, The

St Peter's Church, Acton (London, United Kingdom)

Sarah Gabriel, The Addison Singers, Brandenburg Sinfonia, David Wordsworth