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Playing score 0-571-50621-6 on sale

Programme Notes

Peter Sculthorpe – Requiem for ‘cello alone (1979) The idea of using the Plainsong Requiem Mass as source material for a work has interested me for some years, and it continues to do so. It seemed to be especially appropriate in writing for the particular timbral and expressive qualities of the ‘cello; and an added richness of sonority is gained by lowering the pitch of the fourth string. For the most part, the music reflects the words of the chosen parts of the Latin text, so that where the text is in the third person, singular or plural, I have used plainchant, and where it is in the first person I have used a more personal music. The work, therefore, alternates between the coolness and objectivity of plainchant, and the warmth, even passion at times, of my own kind of music, which here is concerned with imploring, with the wanting of forgiveness, and the wanting of eternal life. Requiem is in six sections: Introit, Kyrie, Qui Mariam, Lacrimosa, Libera Me, Lux Aeterna. The work was commissioned by Musica Viva Australia, for first performance at the 1979 Mittagong Easter Festival, where concerts were held to mark the occasion of my fiftieth birthday. Peter Sculthorpe

Requiem for Cello Alone

Athenaeum Theatre (Melbourne, VIC, Australia)

Requiem for Cello Alone

Live streamed

No Venue (USA)

Gabriel Martins

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Requiem for Cello Alone

No Venue (Florence, Tuscany, Italy)

Mario Brunello

Requiem for Cello Alone

BBC Radio 3 (United Kingdom)

Nicolas Altstaedt

Requiem for Cello Alone

No Venue (London, United Kingdom)

Nicolas Altstaedt