‘… a quarter-hour journey through memories and discoveries of Mozart, mostly fleeting and unfamiliar. The artistry comes in the linking-up, and the delight comes in the confounding of expectations. While the harmonies are largely classical, they often relate to each other in sly modern ways, and then Woolrich plays other games – teasing out extra beats in the bar, or slipping in ‘wrong’ chords and improbable orchestrations.’
The Independent (Robert Maycock), 27 August 1991 ‘… appealingly quixotic …’
The Times (Paul Griffiths), 27 August 1991