Roger Smalley
A leading figure in the post-war British avant garde – renowned for his trailblazing experiments with live-electronics and improvisation – Roger Smalley went on to have a huge impact on the musical life of his adopted home Australia.
Works
| Title | Year | Description | Duration | Composer |
|---|---|---|---|---|
| Echo IV | 1983 | horn with stereo tape delay | 9 | Roger Smalley |
| Konzertstück | 1980 | violin and orchestra | 22 | Roger Smalley |
| Symphony | 1981 | large orchestra | 38 | Roger Smalley |
| Echo II | 1978 | cello with stereo tape delay | 9 | Roger Smalley |
| Echo III | 1978 | trumpet with stereo tape delay | 13 | Roger Smalley |
| String Quartet | 1979 | string quartet | 18 | Roger Smalley |
| William Derrincourt | 1977 | Entertainment in 12 scenes for baritone, male chorus and instrumental ensemble | 55 | Roger Smalley |
| Movement | 1980 | flute and piano | 10 | Roger Smalley |
| Accord | 1975 | two pianos | 45 | Roger Smalley |
| The Crystal Cabinet | 1971 | unaccompanied SATB chorus | 4 | Roger Smalley |
| Monody | 1972 | piano with live electric modulation | 10 | Roger Smalley |
| Strata | 1971 | 15 solo strings | 30 | Roger Smalley |
| Pulses | 1986 | brass and percussion ensemble | 35 | Roger Smalley |
| Missa Parodia I | 1967 | piano | 15 | Roger Smalley |
| Missa Parodia II | 1967 | piano and chamber ensemble of 8 players | 16 | Roger Smalley |
| Missa Brevis | 1967 | double SATB unaccompanied chorus | 17 | Roger Smalley |
| Capriccio No.1 | 1966 | violin and piano | 11 | Roger Smalley |
| Elegies | 1965 | soprano, tenor, brass, bells and strings | 20 | Roger Smalley |
| Gloria Tibi Trinitas I | 1969 | orchestra | 12 | Roger Smalley |
| Variations for strings | 1964 | string orchestra | 8 | Roger Smalley |
| String Sextet | 1965 | 2 violins, 2 violas, 2 cellos | 11 | Roger Smalley |
| Piano Pieces I-V | 1965 | piano | 6 | Roger Smalley |