Soprano: The Crowd/The Stranger/Narrator/The Minister's Child - Contralto: The Crowd/Narrator/The Minister/The Minister's Wife bfl(=fl+picc).2 basset hn in F.cbcl - 2 crts.tenor trbn - cimbalom(=perc(1)): cyms/guiro/whip/2 crot - 2 vln(II=mandolin).2 vla(II=banjo).2 vlc.db(lowest string tuned to C)


Full score 0571532128 and text 0571531490 on sale, vocal score and parts for hire

Programme Notes

INTO THE LITTLE HILL was commissioned by the Festival d'Automne à Paris, with contributions from the Ernst von Siemens Music Foudation; Opéra National de Paris; and Ensemble Modern, with contributions from the Forberg-Schneider Foundation Martin and I wanted to tell our lyric tale in the most direct and authentic way possible, not an easy task in the age of TV and cinema. Our solution - where the story-telling as well as the multiple roles are shared between just two singers - acknowledges at all times the artificial nature of sung drama, while still permitting dialogue and characterisation. Occasionally, particularly in heated moments, it approaches the naturalistic. Martin’s text remains faithful to the traditional myth of the Ratcatcher of Hamelin, though it evokes disturbing contemporary resonances too. It also reflects upon the power of music as well as its exploitation in today’s world. This work was very much a collaborative undertaking, from the beginning. All those involved tonight in singing, playing and directing were in place - and closely consulted - before a note of the score was written. The orchestration employs some highly unusual timbres, ranging from bass flute and cimbalom to banjo and basset-horns. The resultant sonority is often discreet and always, I hope, transparent, so that the vocal lines can occupy the foreground without struggle. Above all I wanted to embed these lines as clearly as possible into the harmonic environment that surrounds them. In this fusion, I believe, lies a crucial expressive resource on the lyric stage.

© George Benjamin

Into the Little Hill

Persons Auditorium (Marlboro, VT, USA)

Lucy Fitz Gibbon, Jennifer Johnson Cano, George Benjamin, Musicians from Marlboro Festival, Vermont

Into the Little Hill

MÜPA Budapest (Budapest, Hungary)

Gergely Vajda, Anna Molnár, Katalin Karolyi, Csaba Horváth, UMZE Chamber Orchestra

Into the Little Hill

BBC Composer of the Week: George Benjamin. Into the Little Hill excerpts only. Lessons in Love and Violence excerpts only.

BBC Radio 3 (United Kingdom)

Ross Pople, BBC Scottish Symphony Orchestra, Mark Elder, Hila Plitmann, Susan Bickley, George Benjamin, London Sinfonietta, Stéphane Degout, Barbara Hannigan, Gyula Orendt, Peter Hoare, Samuel Boden, Jennifer France, Krisztina Szabó, Andri Björn Róbertsson, Netherlands Radio Orchestra, Dietrich Henschel, Berlin Radio Choir, Deutsches Symphonie-Orchester Berlin, Kent Nagano

Into the Little Hill

92nd Street Y (New York City, NY, USA)

Talea Ensemble, James Baker, Charlotte Mundy, Lucy Dhegrae, dir. Alexander Polzin

Into the Little Hill

concert performance

Grand Auditorium, Maison de Radio France (Paris, France)

Jennifer France, Helena Rasker, Ensemble Intercontemporain, Pierre Bleuse