Instrumentation

2(II=picc).2.2.1.cbsn – 2221 – 3 vln.2 vla.2 vlc.db

Availability

Vocal score 0571505511 on sale, full score and parts for hire

Programme Notes

This work was written for Winchester Cathedral, for the choir with men and young boys, in 1978. There it was performed in the liturgy in English, as is the custom. That version was with organ. The version for Ensemble InterContemporain is for full ensemble, except for percussion, harp and keyboards, though it is possible to add a large organ to amplify some loud climactic moments. The Magnificat is built around a long symmetrical cantus; it is a song of a cosmic Mary, with rays branching off in all directions - the Mary of iconography and mystical vision rather than the humble Jewish mother. The Nunc Dimittis is the song of the elderly Simeon, 'led by the Spirit' into the dark temple where he holds the infant Jesus. He sees a vision of redemption and light in the future. Simeon, by contrast to Mary, is individualized - he is a bass soloist; his 'vision' expands musically out of one line to great brilliance in a purely instrumental conclusion. The Gloria, as in tradition, is sung after each canticle.

Magnificat & Nunc Dimittis (ensemble version)

Cité de la musique (Paris, France)

Ensemble Intercontemporain, Jeune Choeur de Paris, Pierre-André Valade

Magnificat & Nunc Dimittis (ensemble version)

Cité de la musique (Paris, France)

Ensemble Intercontemporain, Jeune Choeur de Paris, Pierre-André Valade