In Jonathan Harvey’s Toccata for organ and tape an agile, brilliant organ part is set against a moto perpetuo stream of electronic sound. The 6-minute work was developed at IRCAM and was premiered in 1980 by Martin Neary.
In Jonathan Harvey’s Toccata for organ and tape an agile, brilliant organ part is set against a moto perpetuo stream of electronic sound. The 6-minute work was developed at IRCAM and was premiered in 1980 by Martin Neary.