Instrumentation

THE PROTECTOR (Bar)/AGNÈS, his wife (S)/ANGEL 1/THE BOY (CT)/ANGEL 2/MARIE (M)/ANGEL 3/JOHN (T) 3(II=picc.III=picc+afl).2.2.bcl(=cl).cbcl.2(II=cbsn) - 4.4(I=ptpt).3.1 - perc(4): glsp/crot/steel drum/3 t.bells/5 tuned c.bells/vib/gong/2 small timp/6 mini-tablas/3 bongos/2 SD/2 TD/tumba/BD/small claves/3 mokubios/4 tpl.bl/sleigh bells/mcas/pebbles/guiro/whip/sandpaper blocks/computer keyboard or typewriter/small tgl/untuned c.bell/clash.cyms (2 pairs)/5 susp.cyms/tam-t - harp - glass harmonica – bass viola da gamba - strings (8.6.6.6.4 players) 2 first violins doubling mandolins; all double basses must have extensions to low B natural

Availability

Cased full score 0-571-53759-6, full score 0-571-53758-8, vocal score 0-571-52672-1 and text 0-571-53760-X on sale, parts for hire

Written on Skin

Scene XII “The Protector and Agnès” (from Written on Skin)

Concert Hall, Queensland Performing Arts Centre (Brisbane, QLD, Australia)

Jessica Gethin, Opera Queensland, Queensland Symphony Orchestra

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Written on Skin

Scene XII “The Protector and Agnès” (from Written on Skin)

Concert Hall, Queensland Performing Arts Centre (Brisbane, QLD, Australia)

Jessica Gethin, Opera Queensland, Queensland Symphony Orchestra

Find Out More

Written on Skin

Scene XII “The Protector and Agnès” (from Written on Skin)

Concert Hall, Queensland Performing Arts Centre (Brisbane, QLD, Australia)

Jessica Gethin, Opera Queensland, Queensland Symphony Orchestra

Find Out More

Written on Skin

Scene XII “The Protector and Agnès” (from Written on Skin)

Concert Hall, Queensland Performing Arts Centre (Brisbane, QLD, Australia)

Jessica Gethin, Opera Queensland, Queensland Symphony Orchestra

Find Out More

Written on Skin

No audience. Live broadcast online.

Oper Köln (Cologne, Nordrhein-Westfalen, Germany)

François-Xavier Roth, dir. Benjamin Lazar, Oper Köln, Robin Adams, Cameron Shahbazi, Judith Thielsen, Dino Lüthy, Gürzenich-Orchester Köln, Magali Simard-Galdès

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