Instrumentation

THE PROTECTOR (Bar)/AGNÈS, his wife (S)/ANGEL 1/THE BOY (CT)/ANGEL 2/MARIE (M)/ANGEL 3/JOHN (T) 3(II=picc.III=picc+afl).2.2.bcl(=cl).cbcl.2(II=cbsn) - 4.4(I=ptpt).3.1 - perc(4): glsp/crot/steel drum/3 t.bells/5 tuned c.bells/vib/gong/2 small timp/6 mini-tablas/3 bongos/2 SD/2 TD/tumba/BD/small claves/3 mokubios/4 tpl.bl/sleigh bells/mcas/pebbles/guiro/whip/sandpaper blocks/computer keyboard or typewriter/small tgl/untuned c.bell/clash.cyms (2 pairs)/5 susp.cyms/tam-t - harp - glass harmonica – bass viola da gamba - strings (8.6.6.6.4 players) 2 first violins doubling mandolins; all double basses must have extensions to low B natural

Availability

Cased full score 0-571-53759-6, full score 0-571-53758-8, vocal score 0-571-52672-1 and text 0-571-53760-X on sale, parts for hire

Written on Skin

Prinzregententheater (Munich, Bavaria, Germany)

Peter Rundel/Prinzregenten-Theater München/dir. Balázs Kovalik/Studierende der Bayerischen Theaterakademie/Münchner Rundfunkorchester/Münchner Rundfunkorchester/Studierende der Bayerischen Theaterakademie

Written on Skin

Prinzregententheater (Munich, Bavaria, Germany)

Peter Rundel/Prinzregenten-Theater München/dir. Balázs Kovalik/Münchner Rundfunkorchester/Studierende der Bayerischen Theaterakademie

Written on Skin

Prinzregententheater (Munich, Bavaria, Germany)

Peter Rundel/Prinzregenten-Theater München/dir. Balázs Kovalik/Studierende der Bayerischen Theaterakademie/Münchner Rundfunkorchester

Written on Skin

Prinzregententheater (Munich, Bavaria, Germany)

Peter Rundel/Prinzregenten-Theater München/dir. Balázs Kovalik/Münchner Rundfunkorchester/Studierende der Bayerischen Theaterakademie

Written on Skin

Deutsche Oper Berlin (Berlin, Germany)

Deutsche Oper/dir. Dan Ayling/dir. Katie Mitchell/Marc Albrecht/Georgia Jarman/Aryeh Nussbaum Cohen/Anna Werle/Thomas Blondelle/Daniel Okulitch