Instrumentation

THE PROTECTOR (Bar)/AGNÈS, his wife (S)/ANGEL 1/THE BOY (CT)/ANGEL 2/MARIE (M)/ANGEL 3/JOHN (T) 3(II=picc.III=picc+afl).2.2.bcl(=cl).cbcl.2(II=cbsn) - 4.4(I=ptpt).3.1 - perc(4): glsp/crot/steel drum/3 t.bells/5 tuned c.bells/vib/gong/2 small timp/6 mini-tablas/3 bongos/2 SD/2 TD/tumba/BD/small claves/3 mokubios/4 tpl.bl/sleigh bells/mcas/pebbles/guiro/whip/sandpaper blocks/computer keyboard or typewriter/small tgl/untuned c.bell/clash.cyms (2 pairs)/5 susp.cyms/tam-t - harp - glass harmonica – bass viola da gamba - strings (8.6.6.6.4 players) 2 first violins doubling mandolins; all double basses must have extensions to low B natural

Availability

Cased full score 0-571-53759-6, full score 0-571-53758-8, vocal score 0-571-52672-1 and text 0-571-53760-X on sale, parts for hire

Written on Skin

Semi-staged

Wiener Konzerthaus (Vienna, Austria)

Orchestre Philharmonique de Radio France, George Benjamin, Tim Mead, Ross Ramgobin, Georgia Jarman

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Written on Skin

Semi-staged

Philharmonie (Paris, France)

Orchestre Philharmonique de Radio France, George Benjamin, Tim Mead, Ross Ramgobin, Georgia Jarman

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Written on Skin

Salle Wilfrid-Pelletier, Place des Arts (Montréal, QC, Canada)

L'Opéra de Montréal, Nicole Paiement

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Written on Skin

Scenes 14 and 15 only

Britten Theatre, Royal College of Music (London, United Kingdom)

students of RCM, Ella Marchment, Audrey Hyland

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Written on Skin

scenes 2-4 only

Royal Northern College of Music (Manchester, United Kingdom)

Musicians from the RNCM